As early as September 2015 Dr Wolf-Dieter Seiffert, CEO of the G. Henle publishers, and Professor Friedemann Eichhorn, Director of the Kronberg Academy Masters programme, made plans to honour Gidon Kremer with a special edition on his 70th birthday. Both wished to celebrate the outstanding musician with a Henle Urtext edition that would reflect Gidon Kremer’s artistic ambitions, therefore something simultaneously special, in line with the classical profile of our catalogue. Friedemann Eichhorn was successful in getting Kremer on board and available for the project about a year ago: It was to be an edition of Ludwig van Beethoven’s violin concerto, based on the Henle Urtext edition, but becoming the Gidon Kremer Edition by way of the violinist’s personal touch. Kremer contributed fingerings and bowings for the violin part, provided an essay on Beethoven interpretation and selected cadenzas especially close to his heart. The result is a unique edition, enabling every violinist to come to grips with this perhaps most magnificent of violin concertos in music history from Gidon Kremer’s personal perspective. On this personal note, which – and here Kremer attaches great importance to this – is always to be at the service of the work, Friedemann Eichhorn could do a brief interview with Gidon Kremer: Continue reading
Even the visual design is a little revolution for Henle: after being in publishing for nearly 70 years we are for the first time bringing out a series of Urtext piano editions without just the classic blue cover, but with a sort of bright yellow horizontal “branding” mark added – and with good reason, since our new series “At the Piano” is forging a new path in many respects. 
It was nearly three years ago, on 17 February 2014, that my 
Search
Subscribe2
-
Recent Posts
- Summer Break
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
- It Doesn’t Always Have to Be Blue – Bach in Yellow
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak facsimile Fauré fingering first edition genesis Haydn Hoffmeister horn Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann string quartet urtext variant reading variants variations versions viola violin Violin Sonata