The question of why from time to time editions in the Henle catalogue are re-published as revised was already dealt with in an earlier blog post. Following up on this, I’d like today to present a special case, that is, the just about to be published revision of César Franck’s famous violin sonata.
Henle first published Franck’s masterwork as HN 293 in 1975, so more than forty years ago. That edition was then based on two sources: the (allegedly sole) autograph, together with the first edition, which had not yet been separately treated as score and separate violin part (as is usual today). Continue reading